Wednesday, June 11, 2014

Who Mourns Eos? - Thoughts and Lyrics






Nathaniel: There's been so much apocalyptic stuff in the news lately - global warming, war on terror, and genocide in those countries over there (which can, all too soon, turn into countries right here). After getting my daily dose of bad news on the internet I had to get out and go for a walk. Thankfully, there's a park near my house where the trees and critters are able to obscure the sights and most of the sounds of the city.

As I sat there I was reminded of a poem that I read many years ago: Sara Teasdale's There Will Come Soft Rains. Here's the text of the poem:

There will come soft rains and the smell of the ground,
and swallows circling with their shimmering sound;

And frogs in the pools, singing at night,
and wild plum trees in tremulous white,

Robins will wear their feathery fire,
whistling their whims on a low fence-wire;

And not one will know of the war,
not one
will care at last when it is done.

Not one would mind, neither bird nor tree,
of mankind perished utterly;

And Spring herself, when she woke at dawn,
could scarcely know that we were gone.

It was written in 1920 and was a direct result of the carnage of WWI.

In recent times, I've been thinking about where our species is going. Perhaps it won't be war that does us in. Perhaps it's the environment? The latest super-virus? Zombies? Aliens? These are things that aren't necessarily the result of someone pushing the button to launch the missile but are certainly things that we as a species really should be taking steps to ameliorate. Apparently, the US Government is already planning for a Zombie Apocalypse: http://www.stripes.com/news/us/the-pentagon-s-plan-to-stop-the-zombie-apocalypse-1.283263

It the nuclear dread of the 50's has turned into the ravening cannibal horde dread of the modern day.

An aside: if not for the bravery of one Russian soldier, we all would have died in a nuclear holocaust in 1983. Seriously. Check this link: https://en.wikipedia.org/wiki/Stanislav_Petrov. Scary as hell, that.

Anyway. I didn't mean for this song to be quite as dark as it is but I suppose I shouldn't be surprised by it. If we disappear, the sun will still rise. The seasons with still cycle. And critters the world over will still live and, hopefully, thrive. Maybe we can pull our collective asses out of the fire. I remain hopeful.

When Alyssa sent me her first draft of the lyrics she included an iPhone recording of her singing the melody. I popped that into Cubase and it was so good I was just going to keep that as the final take for the album. Alas, we changed the words so we had to fly her to Seattle to have her record on a real mic.

Tempest: Nathan asked me to listen to a melody that he was working on, and what imagery I saw in it. The vision that came to mind as I listened was hazy, but strong morning light illuminating a large empty bed in room with open doors looking out to a similarly empty patio. Morning had come to an empty world, with no one to welcome it. In explaining this picture, I remembered one of Ray Bradbury's short stories I had read half a lifetime ago – of an electronic house in a post-apocalyptic time. Everything was still running as normal, but there was no one there left alive to witness it. Growing up in the era of the Cold War, I was keenly aware that that nuclear devastation loomed possibly just around the corner, and Bradbury's story embedded itself into my subconscious. As I described it, Nathan knew exactly which one I meant.

Alyssa: I am constantly in awe of how insignificant the human race is in the grand scheme of the universe, how we are just moments in time, though we desperately attempt to achieve immortality through what we build and what we destroy. The song started as a tune Nathan sent me and the chorus flowed rather easily….as I continued, the dichotomy of a childhood rhyme that has been linked (though incorrectly) to the black plague that killed a quarter of Europe’s population, seemed a natural fit. And of course, if you listen closely, I left a few easter eggs in the lyrics that are nods to Whedonesque philosophies. There is a vastness of space and we are screaming into the void, but who is left to hear us when we are ourselves are gone?

LYRICS:
Who mourns Eos?
Ring around the rosy
Light preceeds the sound
Flashes, Ashes
We all fall down

It’s raining, it’s raining on the home
Standing, still standing all alone
No crying, no crying can erase
The shadows that lie burned ‘cross it’s face.

Three
Two
One, we all fall down
Ashes to ashes, dust to dust

Who mourns Eos
Who mourns the dawn
Who cries for creation
When the ending's begun


Destruction in the birthing
Death in the morn
Here lies poor Eos
But who’s left to see the dawn

The bridges, the cities, tumbling down
The tides are all rising, soon they’ll drown
Flora and fauna move to reclaim
They’ll never think of the human race

Three
Two
One, we all fall down
Ashes to ashes, dust to dust

A mad man, a trigger, missiles fly
No time for a question, time to hide
The mushrooms are growing, cloud the sun
There’s nowhere, there's nowhere, left to run

Three
Two
One, we all fall down
Ashes to ashes, dust to dust

Who mourns Eos
Who mourns the dawn
Who cries for creation
When the ending's begun


Destruction in the birthing
Death in the morn
Here lies poor Eos
But who’s left to see the dawn

A moment, a minute, all we are
And there is so much black 'tween the stars
The lesson left unlearned to survive
It’s much harder to live than to die

Three
Two
One, we all fall down
Ashes to ashes, dust to dust


Sunday, June 8, 2014

Thoughts about the song Snugglefish


We'd just finished our weekend in Old Tucson at the Wild Wild West Convention in March of 2014. We had woken up too early after a night that went too late and we were punch drunk and would laugh at pretty much anything. When we were standing in line at the security checkpoint I decided that it would be a good idea to ask the internet for words that rhymed with "tentacles." No, i don't know why. I blame the coffee.

Anyway, the response was lightning fast and suddenly I had a thriving FB thread full of suggestions. By the time we'd sat down in our seats on the plane I knew that we needed to write a song with this. Kate, Tempest, and I passed my notebook back and forth and the rest of the song materialized in about 15 minutes. I'm sure the other passengers were plenty irritated by our silliness.

The third verse came a few days later, after I'd sent the song-in-progress to Alyssa. She totally nailed the idea. I loved the Frog & Toad reference!

I don't know what a Snugglefish looks like. I've seen a couple of artist renderings and each one is unique and awesome.


Lyrics:

Oh, those dreary days
In my world down below
The sea where I sit
To watch the world's show

The mortals, full of hubris
To their Gods' respect is lackin'
There's just nothing left to do
But shout, “Release the Kraken!”

But I know that deep inside
Your fleshy, squirmy, slimy hide
A heart of gold resides ...

CHORUS:
You're my fierce and fanged Snugglefish
My toothy, scaly Snugglefish
The mortals fear you, Snugglefish
As they're gobbled by you, Snugglefish

Lord Zeus says you're nonsensicle
Because of all your tentacles
Residing in my ventricles
Are nothing but respectacles

For you …

My little Snugglefish
My little Cuddlefish

For the Lord of the Sea
It's such a lonely lot
That sometimes I feel
Like you are all I've got

And it pains me ever so
When mortal respect is lackin'
And there's nothing left to say
But, “Release the Kraken!”

Because you've shown me, deep inside
Your fleshy, squirmy, slimy hide
A heart of gold resides …

CHORUS!

Instrumental Interlude - DUELING KAZOOS! How cool is that??

You're man’s most dreaded enemy
My best friend, not frenemy
Frog and toad will always be
Envious of you and me

So when you feel down and out
Like all the world’s attackin'
Never worry, I will shout
Hey “Release that Kraken”

Because you've shown me, deep inside
Your fleshy, squirmy, slimy hide
A heart of gold resides …

CHORUS!

Tuesday, March 4, 2014

Sunday, March 2, 2014

THE ANTIKYTHERA MECHANISM

Introducing my new album, The Antikythera Mechanism!

To be released on Memorial Day Weekend! Our CD release show will be at Clockwork Alchemy in San Jose, CA. 




This all started about 6 months ago when I read an article about the sophisticated science and technology of Ancient Greece. Reportedly, they had death rays, steam technology, and were making clockwork devices that rival the elegance of modern Swiss watch makers. Our whole world is thick with the influence of Greek art, music, knowledge and philosophy. For instance, the oldest known complete musical composition is from Greece (it's dated to somewhere between 200BC to 100AD).

The title of the album comes from an ancient artifact found in the Mediterranean Sea off the coast of the Greek island of Antikythera in 1900-1901. The corroded bronze object had obvious gear work and, after years of care and investigation was found to be a device used to predict the movements of the heavenly bodies - eclipses, the phase of the moon, the wanderings of Jupiter, Saturn, Mars, Venus, and Mercury through the heavens. Scholars and scientists today are still puzzling over the complexities that the mechanism has to offer. The sophistication required to make this was lost and didn't reappear again until nearly 1500 years later. Seriously, go google it and have your mind be blown.

So, anyway, as I was pondering this incredible find I began to hear music in my head. From there it was just a matter of time before I knew that I had an album's worth of material. I pitched the idea to my friend and collaborator Alyssa Rosenbloom and she agreed that this would be a thing! Several weeks and chat conversations later we had enough lyrics for the whole album! It seems like not a day would go by but that there would be a new lyric in my email box. We hashed out songs about Medusa, Cassandra, Eos, the goddess of the dawn, Aphrodite, and a whole bunch of others.

Of course, seeing as we're both totally steampunks we knew that we had to add some science fiction to the project. So we've taken a few 'liberties' with the stories. If you've heard our previous album, Narrative, you'll get what I mean.

I'm deep in the recording process even now and plan to have everything done by the end of March. Mixing, mastering, and manufacturing is all scheduled for April. I plan to have the album release in late May with a special show at Clockwork Alchemy in San Jose, CA. We'll be performing on the Sunday of Memorial Day Weekend.

And the cool thing is that I somehow managed to convince Phil Foglio that drawing my album cover was a thing he wanted to do! I don't know about you but … holy hell! Phil Foglio! I've only been a fan of his work since the early issues of Dragon Magazine back in the 80's. <insert van squee here>

Ahem …

So, yeah.

Like our previous release, Narratives, we're doing a fund raiser to help cover the costs for The Antikythera Mechanism. I can do a lot of the work myself but I can't play all the instruments, nor have I learned that special magic sauce known as mastering. We're going to press an initial run of 1000 CDs with all the beautiful art and layout you'd expect.

Over the next several weeks, I'll be posting song samples, bits of art, and some discussion about the songs. We will also be offering some spiffy swag for your help with our fundraiser. We’ll get the fund raiser page up in the next day or so. I just couldn’t wait any longer to share all this!

Thank you!

Nathaniel

Saturday, October 12, 2013

Bastard Jack - lyrics and thoughts



Nathan: I'd always thought that there was another side to the story. I mean, really. Imagine that you're this giant living in his cloud home and some little punk comes into your house and charms your wife, steals your gold and then kills you in the end. What a jerk!

I had the title for this long before I had the lyrics. It was a story that I wanted to tell and was trying to shoehorn it in a few different musical ideas before finally hitting the current orchestration. There was a moment when I was trying to put words for this to the music that would eventually become Red. Thankfully, that didn't work out. Red is so much better with the current lyrics.

It finally came together when the basic bluesy riff came into my head. In my minds eye I heard it as a blend of Led Zeppelin and Men Without Hats. I dunno. It seemed like a good idea at the time. I wrote the first verse and then Alyssa picked up from there. We went back and forth a few times shoring up the rhymes and meter when I came up with the idea of doing a rap in the middle. Now I can't rap to save my life so I changed it to a smugly delivered spoken word with a slower delivery. That fits the character of the song much better, I think.

Alyssa:  This one was the hardest for me to write on.  I was struggling to find connection between the character of Jack and the music.  Then I finally gave up trying to make Jack a sympathetic character.  Jack was just a jerk.  He was a braggart.  He was a thug.  He was guy in all the rap videos with the gold chains and fancy cars talking big about his “street cred”.  So then the song became a tale of bragging, of “look at me, I’m so big and bad” instead of, “oh poor guy, a hard life led him to crime and murder”.  Nathan picked that up immediately and added in the rap/spoken word section.  I laughed out loud the first time I heard that part!

Sunday, August 4, 2013

Baba Yaga lyrics and thoughts




Baba Yaga

Mother and daughter, the witch and the crone
Ugly as winter with legs thin as bone
As my house turns on its four chicken feet
I hunger for young men to lure in and eat   

Baba Yaga
Baba Yaga
They call me Baba Yaga
Baba Yaga

Mortar and pestle, a mop and a broom
Will I assist or send to your doom
I'll give you a riddle I'll give a rhyme
Answer it quickly before dinner time

Baba Yaga
Baba Yaga
They call me Baba Yaga
Baba Yaga

Death or the goddess, to aid or deceive
Many weird faces deep in the trees
Dare you to find me, I dare you to try
But lad if you trick me then yours is to die

Baba Yaga
Baba Yaga
They call me Baba Yaga
Baba Yaga




A bit of History:

Nathan: Several years ago we played a improvised set at an event in San Mateo, CA called The Maker Faire. The ensemble at the time was violin (me), voice (Mel), guitar (Jean Paul), and drum (Jes). We also had a trio of dancers that were performing with us. One of the tunes that we came up with was very much informed by how my friend Slava was dancing. She had a very light step and it felt like the music came as much from her dancing as her dancing was coming from the music.

After we went home we brought those musical ideas into the studio and turned them into a complete tune. I sent Slava the music and asked her if she would give it a name. Since it was her dancing that really made the music coalesce into my head it seemed like the right thing to do. She replied with the name Pesnya Tsiganki which she said translated into English as "Song of the Gypsy Woman."

I loved the name because it hinted at hidden narratives within the music. Since the tune had several different sections it suggested to me that the story was complex and interesting. Who is that singing? Why is she sometimes glorious and sometimes plaintive? Here's a link to that version of the song:


I had always wanted to come back to Pesnya Tsiganki and do a studio version but it never came together. There is an energy to this live performance that I just could not capture. There is such a good energy and it moves around in mood and texture. It's very much a product of the musicians on the stage.

I had mentioned to Alyssa that I was hoping to do something with it and that I wanted it to reflect a folklore from the mountains and forests of Eastern Europe. There is an incredibly rich history of tales from that part of the world, so much culture started there. I wanted to honor that history and so I went for the biggest, baddest legend ever: Baba Yaga.

She is the queen mother of all witch tales. She's the scary lady in the dark, the sometimes benefactor, sometimes villain, and the last hope of romantics. Do you think she'll help you? Will she bring your bones and make you into a stew? Love potions? Curses? Perhaps she'll turn your mother into a bear? Who knows?

What I do know is that Alyssa nailed it in one. There's a swagger in her voice. She's totally self-aware. And she's a compete badass.

Once I saw the words I knew how the music had to go. It wasn't going to be soft and plaintive. It had to be raucous, unapologetic, and there needed to be screaming. I'm really happy with how it came out.



Alyssa: Again, Nathan came up with the topic of Baba Yaga and had a gorgeous melody with Mel singing that he wanted to put it to.  The long notes in the chorus match perfectly to crying out “Baba Yaga”.  Baba Yaga doesn’t have a defined story but is instead a recurring character in a lot of Russian folklore.  So therefore, instead of telling a story about Baba Yaga, I wanted Baba Yaga to tell you about herself, to warn you about her dangers, her complexities, her vagarities.  It’s Baba Yaga's self aware of what she represents, daring you to come to her anyways.  This one was all Mel’s vocals in my head, haunting, strong, and glorious. 

Wednesday, July 31, 2013

Violin Fundraiser Completed!

Thank you everyone, the violin-repair fundraiser has achieved it's goal! The funds have been raised and the order for the repair has been finalized! You guys rule.

A few more thoughts about my violin:

I bought my violin at David T. Stone Violins in early 2007. David asked me some questions about my budget and what I was looking for in an instrument and then said something like this (very loosely paraphrased):

"I'm going to put 15 violins in front of you and I want you to play each one and pick out the ones that you -don't- like. We'll take those and put them away. Then I want you to go through the left overs and do the same thing. Keep doing that until you narrow it down to a couple. Then I'm going to send you home with them for a few days and I want you to play them until you know which one you want to keep.

I'm not going to tell you how much these cost because I want you to pick your violin only on the strength of how you like it. Don't worry, I won't sneak in any really expensive ones. They'll all be within your budget."

I narrowed is down to three instruments and I then took them home and spent the week playing and comparing them. I narrowed it down to the one I chose on the strength of it's unique low register. I love that throaty G tone that it has. It felt a little closed up in tone because it hadn't been played in years. I knew that it would open up with practice and was very happy with the purchase.

I can't wait to get it back and work with it again. As happens when an instrument is disassembled, it closes up a little as the new glue and structural work has yet to settle. I plan to play the hell out of it when I get it back. Alas, it'll probably be a few months before I take it back out to performances.

If all goes well I'll have it with me when I go to New Orleans over Halloween for the Anne Rice Ball for my show with The Ghosts Project.

Again, thank you everyone for your help with my violin repair. It means so much to me that I have friends out there that are willing to help me on my path towards making the music I love so much.

<3!