Innocence
and trusting eyes
Heart
untouched by lovers break
Can’t
she see under my smiles
The
demons that would harm her wait
Darling,
run from all I am
As
this twist of soul pervades
Darling,
please take my hand
For
without you, I’m lost, afraid
Darling
I love you
Please
will you love me
Twisted
and ugly
Won’t
you see be
‘Neath
all my horror
Beating
so torrid
Heart
less than sure of
Beast
or beauty
Sharpened
claws on paper skin
Heart
to heart our matching beats
Gentle
kiss and then its twin
Shield
and sword, Oh gods grant mercy
Will
I beast or beauty be (give me beauty)
Will
I beast or beauty be (give me beauty)
Now
in the final
Hours
of night will
Monster
unbridled
Darling
save me
Please
be my angel
Quiet
my rage and
Help
me to change from
Beast
to beauty
Vision
red slowly clears
to
reveal my angels face
Dearest
love only bruised by tears
Holding
firm to our embrace
Will
I beast or beauty be (give me beauty)
Will
I beast or beauty be (give me beauty)
Analysis:
Tempest:
I had the honor of being invited to perform at Belladonna's Raven's
Night in DC in Fall 2012, and the piece had to be a dark twist on a
traditional fairytale. And I wanted Nathan to create the music for
it. So many choices and possibilities! But I kept coming back again
and again to “Beauty and The Beast” which has been one of my
long-time favorites – particularly Robin McKinley's retellings of
the tale – but how to perform a two-character story solo? And how
to twist it? So I decided to challenge society's concepts of who is
“Beauty” and who is a “Beast” - is it physical, emotional,
spiritual – what about what is below the surface? The description
for the piece ended being: “Beauty/Beast: Society backhandedly
teaches us that on the surface beauty=goodness and ugly=bad or evil.
Appearances can surely be deceiving to others, as well as to
ourselves, but is it so wrong to be the Beast, and so right to be the
Beauty?” There were no costume changes, no masks, no props besides
a single rose that I carried on stage, eventually discarded, and
collected again. It was up to the audience to determine who I was
portraying and when from my expression, movements, and body language,
making it a psychological thriller. This was all done to an earlier
version of the song without lyrics, and I'm curious to try it again
with the words and see what happens.
Nathan:
I was listening to Bauhaus' song Double Dare and was struck by the
tone that David J got out of his bass. It was an aggressive, choppy,
distorted sound and I decided that I needed to do something with it.
The bass groove came out fully formed. From there it was strictly
groove and ambience and there was no real melody that came to mind. I
passed the song around to my small group of collaborators and two of
them, Paul Mercer (violin) and Jessica Leppaluoto (piano) sent me
tracks that, though almost entirely unrelated fit together to make a
wonderful brooding texture. In the end it sounded nothing like the
tune that inspired it. That's generally the way of things.
Once
I decided to put this on the album I decided to put some lyrics to it
so that the story was a little more explicit. I wanted to have a
conflict in the mind of one person – a battle between Beauty and
Beast. We all have our darker side that sometimes makes us say and do
things we regret later and a part of growing up is learning how to
temper that so we can make our way in society without getting into
too much trouble. I put together a patchwork of a lyric and sent it
off to Alyssa for feedback. She ended up scrapping the words entirely
and replacing them a whole new lyric. A good decision, I think.
Alyssa:
Nathan sent me this track a while back and kept sending me iterations
of it as it progressed. He told me he wanted to write a song
expressing Beauty and the Beast but combine it into one person, one
person who was struggling to between being evil and good. I
immediately came up with two images in my mind: Dr. Jekyll and Mr.
Hyde and the Phantom of the Opera. Both were good men, desperate to
find the best of themselves for love. However, they are preyed upon
by a monster inside, a monster who is much stronger. The song is
about that struggle and needing the love of a partner but terrified
that, by staying, you will destroy that person you love so much.
Nathan convinced me to end the song on a bit more hopeful note than I
had originally wanted, but the song is just a battle scene. The war
rages on.
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